1960 by Billy Collins

In the old joke,
the marriage counselor
tells the couple who never talks anymore
to go to a jazz club because at a jazz club
everyone talks during the bass solo

But of course, no one starts talking
just because of a bass solo
or any other solo for that matter.

The quieter bass solo just reveals
the people in the club
who have been talking all along,
the same ones you can hear
on some well-known recordings.

Bill Evans, for example,
who is opening a new door into the piano
while some guy chats up his date
at one of the little tables in the back.

I have listened to that album
so many times I an anticipate the moment
of his drunken laugh
as if it were a strange note in the tune.

And so, anonymous man,
you have become part of my listening,
your romance a romance lost in the past

and a reminder somehow
that each member of that trio has died since then
and maybe so have you and, sadly, maybe she.


 

This poem called to mind one of my favorite recordings (below) which has embedded in it some remarks/reaction and laughter from a lady in the audience which I feel is priceless and which I anticipate and enjoy hearing every time.  It really puts you there.  No, she wasn’t chatting up her date, but fully immersed in the experience she was having.  I especially love her laugh around the 4:18 mark, and again at the end.

 

If you wish to purchase the book this poem appears in, here is the link: https://www.barnesandnoble.com/w/the-rain-in-portugal-billy-collins/1123721806?ean=9780679644064

 

 

Consolation by Billy Collins

How agreeable it is not to be touring Italy this summer,
wandering her cities and ascending her torrid hill towns.
How much better to cruise these local, familiar streets,
fully grasping the meaning of every road sign and billboard
and all the sudden hand gestures of my compatriots.

There are no abbeys here, no crumbling frescoes or famous
domes and there is no need to memorize a succession
of kings or tour the dripping corners of a dungeon.
No need to stand around a sarcophagus, see Napoleon’s
little bed on Elba, or view the bones of a saint under glass.

How much better to command the simple precinct of home
than be dwarfed by pillar, arch, and basilica.
Why hide my head in phrase books and wrinkled maps?
Why feed scenery into a hungry, one-eyed camera
eager to eat the world one monument at a time?

Instead of slouching in a cafe ignorant of the word for ice,
I will head down to the coffee shop and the waitress
known as Dot. I will slide into the flow of the morning
paper, all language barriers down,
rivers of idiom running freely, eggs over easy on the way.

And after breakfast, I will not have to find someone
willing to photograph me with my arm around the owner.
I will not puzzle over the bill or record in a journal
what I had to eat and how the sun came in the window.
It is enough to climb back into the car
as if it were the great car of English itself
and sounding my loud vernacular horn, speed off
down a road that will never lead to Rome, not even Bologna.


From Sailing Alone around the Room: New and Selected Poems by Billy Collins